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The result was delete. Poorly sourced BLP. Ron Ritzman (talk) 00:49, 7 July 2011 (UTC)[reply]

Sara Al Hani[edit]

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Unable to find any coverage in reliable sources to verify the contents of this unsourced BLP. Searched with both the English and Arabic, سارة هاني‎, spellings of her name. J04n(talk page) 23:18, 29 June 2011 (UTC)[reply]

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The result was delete. Ron Ritzman (talk) 00:50, 7 July 2011 (UTC)[reply]

Jo Boy Fresh (rapper)[edit]

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One short interview in musicislifemagazine does not create notability  —SMALLJIM  23:02, 29 June 2011 (UTC)[reply]

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The result was Speedy Delete: G3. FASTILY (TALK) 01:12, 1 July 2011 (UTC)[reply]

Sonny Graham[edit]

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Unable to find any coverage in reliable sources to verify the contents of this unsourced BLP. Searched his name with 'Emmy', 'KSVN', 'ABC7', and 'ABC' all with no success, could be a hoax. J04n(talk page) 22:48, 29 June 2011 (UTC)[reply]

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The result was delete without prejudice. I find that there's no real consensus on the issue of whether or not the subject meets WP:ENT. However, this is a poorly sourced BLP. Therefore, if someone wishes to write a new sourced article it won't be subject to CSD G4. Ron Ritzman (talk) 00:58, 7 July 2011 (UTC)[reply]

Ken Shiroyama[edit]

Ken Shiroyama (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD)
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Contested PROD, long-term unsourced BLP, was unable to find reliable, secondary sources to verify claims of notability here. Additional sources welcomed. --joe deckertalk to me 22:23, 29 June 2011 (UTC)[reply]

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  • Claude Greengrass was a regular character in the book series that inspired Heartbeat, and lasted for a good long while on the show - longer than Nick Berry's character. Bill Maynard, the originating actor for Greengrass, is described here as having played "Claude Greengrass in Heartbeat among many other big roles". I feel the Claude Greengrass role is a major role. I don't know about Mike Novick, as I haven't watched 24, but Novick lasted for four seasons as a recurring character. --Malkinann (talk) 23:16, 30 June 2011 (UTC)[reply]
  • Indeed, a fair point. Where that view gets tricky in my view is that, in ENT#1: "significant" and "notable" in that sentence are things that have to be evidenced in some way by sources as well, due to WP:NRVE. Notability we could infer from sources about the film or television show if there are sources on that. But the significance of a role? I suspect that usually that's going to require much the same sort of things that WP:GNG requires in the way of sourcing. I'm not willing to entirely infer it from "number of episodes", since very minor characters sometimes recur momentarily without reaching significance within a series. I'm sure there's enormous room for disagreement on that point, and I respect that, but I figured it was important to at least address the ENT#1 question, and why, with respect to those who disagree, I felt it hadn't been shown to be reached here. --joe deckertalk to me 00:03, 1 July 2011 (UTC)[reply]
  • Mmhmm. I was wondering myself what made a laundry list of minor roles "significant" other than that there's, well, a list of roles, so they must be significant because, well, they must be.  ῲ Ravenswing ῴ  14:35, 3 July 2011 (UTC)[reply]
  • Whilst it is easily possible to have a "significant" voice-only role in an audio-only medium (such as a radio play), I think it would be very difficult to make a compelling argument for a voice-only role in a visual medium (i.e. dubbing, animation, etc) being "significant". Not saying that it'd never happen, just that it'd be an exceptional circumstance (and need some fairly compelling substantiation, per WP:REDFLAG). HrafnTalkStalk(P) 14:44, 3 July 2011 (UTC)[reply]
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The result was delete. Consensus is that a content fork is not needed or, in this form, appropriate.  Sandstein  05:01, 7 July 2011 (UTC)[reply]

White flight in the United States[edit]

White flight in the United States (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD)
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This article was a fork created by copy-paste of portions of White flight before consensus for any such split had been formed on the talk page of that article. No reason was given for separating off this content, the original usage of the term, from the original article and the editing history has been lost. The fork was created by a new account, possibly an alternative account of another user, who has not engaged in discussions of any kind. The term "white flight" was originally applied to migration within the US and has been used more widely since, often in slightly different circumstances. The article duplicates content from White flight, with almost no changes and various inconsistencies resulting as a consequence. Mathsci (talk) 07:46, 14 June 2011 (UTC)[reply]

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The topic of White flight in the US certainly warrants its own article alone. I added about 21,000 k of content pretty easily. The after effects of White flight in the US have not even been touched upon as yet (all arguable, mind you) - the effect on US urban growth & planning, transport policy, gated communities, and the link to the rise of US gun ownership as a political/social movement in the US. Lamsfield (talk) 09:53, 17 June 2011 (UTC)[reply]
As the creator of the fork, Lamsfield (a) has not seen fit to discuss anything concerning the article on Talk:White flight or any other talk pages and (b) has added original research to the new article, with unsourced claims concerning white flight. Since white flight concerns almost entirely a concept restricted to the United States, the only solution at present seems to be to delete the new article, possibly rename the old one and then discuss where the non-US material might be put, if it is decided that it should be moved. Mathsci (talk) 13:26, 17 June 2011 (UTC)[reply]

Relisted to generate a more thorough discussion so a clearer consensus may be reached.
Please add new comments below this notice. Thanks, Ron Ritzman (talk) 01:21, 21 June 2011 (UTC)[reply]


Relisted to generate a more thorough discussion so a clearer consensus may be reached.
Please add new comments below this notice. Thanks, -- DQ (t) (e) 22:09, 29 June 2011 (UTC)[reply]

Comment The article White flight concerns the phenomenon in the United States where the term was coined and where it has a precise meaning, as discussed above. The "new material" added on the US in the fork article is all WP:OR.The material has been copy-pasted from other wikipedia articles on demography and interpreted by the editor Lamsfield (talk · contribs) as "white flight". But there is no support for that interpretation from reliable secondary sources. Edits adding that kind of contentious unsourced original research are disruptive. Mathsci (talk) 22:52, 30 June 2011 (UTC)[reply]
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The result was delete. BigDom 20:48, 6 July 2011 (UTC)[reply]

Hugh Wesley Robinson,II[edit]

Hugh Wesley Robinson,II (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD)
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Contested WP:PRODBLP. Current sources do not indicate notability of the subject or are not independent. Gnews provides no information on the individual. Does not appear to comply with WP:BLP. I, Jethrobot drop me a line 21:54, 29 June 2011 (UTC)[reply]

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The result was delete. BigDom 20:48, 6 July 2011 (UTC)[reply]

Go – Goa Gone[edit]

Go – Goa Gone (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD)
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Contested PROD. Non-notable film with no current independent references. Current refs include a cast listing. Does not meet WP:NFILMS I, Jethrobot drop me a line 21:48, 29 June 2011 (UTC)[reply]

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The result was delete. Unsourced BLP. Ron Ritzman (talk) 00:59, 7 July 2011 (UTC)[reply]

Masumi Gotō[edit]

Masumi Gotō (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD)
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Unable to find any coverage in reliable sources to verify the contents of this unsourced BLP of a Japanese voice over actress. J04n(talk page) 21:37, 29 June 2011 (UTC)[reply]

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The result was delete. BigDom 20:48, 6 July 2011 (UTC)[reply]

Soufiane AIT[edit]

Soufiane AIT (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD)
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Has been listed at WP:PNT for two weeks without any progress in translation, does not appear to be especially notable, prod declined Jac16888 Talk 21:34, 29 June 2011 (UTC)[reply]

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The result was delete. BigDom 20:47, 6 July 2011 (UTC)[reply]

Theoretical Conceptual Vacuum[edit]

Theoretical Conceptual Vacuum (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD)
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Disputed PROD. Unable to verify. References provided are not on-topic. Singularity42 (talk) 20:35, 29 June 2011 (UTC)[reply]

References provided were referring to the processes upon which the state is postulated - other references will be applied as soon as possible. Will include footnotes and references to philosophical/psychological/neuroscientific publications, appropriate reference to moral relativism and the origin of the concept. I begin to realize that i did not fully explain the origin of the theory, which relies on both philosophical and scientific concepts. — Preceding unsigned comment added by Rushkovski (talkcontribs) 21:03, 29 June 2011 (UTC)[reply]

It's schrodinger's cat for ideas. I am applying an already existing concept to another.

If you can place a theoretical cat in a theoretical box, why not an idea? The concept does need to be extrapolated, but as any theory, it has to start somewhere. The core concept is that an idea can exist outside of any context, thus neither good not bad, moral or immoral until observed through normal perception. We can suspend normal human perception of morality and context in several ways, and deep meditation can break down the standard subject/object paradigm, thus creating a context-free environment for the exploration of various philosophical or moral topics. — Preceding unsigned comment added by Rushkovski (talkcontribs) 21:20, 29 June 2011 (UTC)[reply]

Valid point, it could qualify as OR, though it is something that can be shown to exist, and is derived from already existing concepts. Metzinger talks about how the alteration of the perceptual paradigm in his book, by meditation or otherwise creates dramatic changes in the way the neural centers of the brain fire, and the concept applies directly to the idea that the human mind can, under some conditions, forgo the already existing matrix of patters and experience perception uninterrupted by the preconceived notions and the tunnel vision effect of the human psyche, allowing us to examine existing concepts in a new light. On a side note, is there a specific philosophical wiki I might be referred to? (talkcontribs) 21:20, 29 June 2011

Sorry, but "Grinko-Hyde Paradigm"? who is Grinko? Who is Hyde? You call it a "paradigm", a "hypothesis" and a "thought experiment"; which is it? This isn't OR as much as it is completely invented. Hairhorn (talk) 23:22, 29 June 2011 (UTC)[reply]

I think I have reached the crux of the problem. Anyone out there want to start a wiki on experimental philosophy? The theory is verifiable, but it does smack of OR - the name gives that away. If this is taken down, does it all get deleted or does it stay under my page so that I can work on it? I see no reason to fight this fight until I've compiled a lot more info, and I clearly rushed into the "quick, post it on wikipedia, it's not there yet" side of things without preparing the article first. Not hoaxing though, too much <3 for wikipedia to troll it. Just take her down, until, one day, she may be ready. (talkcontribs) 21:20, 29 June 2011

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There is already a version in userspace at User:Rushkovski/Theoretical conceptual vacuum. Hairhorn (talk) 15:20, 1 July 2011 (UTC)[reply]
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The result was Delete, based upon the discussion below. There is rough consensus that the coverage meets neither the general inclusion guide nor the inclusion guidelines for actors. The key element were that the sources have significant coverage of the article's subject.

There was some debate as to who stage actors may be a poor fit for the existing guidelines, however it was not sufficient to override the typically accepted encyclopedia-wide standards.

As usual, of course, deleted material can be requested via the restoration process, or simply by asking most administrators.

Aaron Brenneman (talk) 12:37, 8 July 2011 (UTC)[reply]

Susan Wands[edit]

Susan Wands (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD)
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Apparently fails WP:GNG and WP:ENT. Refs largely from agencies, promotional sites, listings or minor mentions. Main editor of article's name may indicate WP:COI. Doddy Wuid (talk) 11:47, 12 June 2011 (UTC)[reply]

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This listing notes an American Actor of interest, with a substantial body of work. The references include reviews and listings from the New York Times, Playbill, Broadwayworld.com, and Theatre World. This work is of interest to the theatre community, and audiences. Cwands (talkcontribs) 17:32, 12 June 2011 (UTC)[reply]

[1][2] [3][4] [5][6][7]


I would champion that this subject is notable and the Wiki article is appropriate. This Wiki article isn't just a "long trail of reviews and articles" about this actress, but her involvement in new scripts Off-Broadway and in regional theater for the last 20 years make her a notable Wiki entry. Her work cites productions with such playwrights as Horton Foote, Alex Timbers, Mario Fratti (librettist for the musical Nine), Mark St. Germain (Susan is featured in the premiere of his play The Best of Enemies at Barrington Stage (directed by artistic director Julianne Boyd)), and Andrea Stolowitz. Included in this article are important (new/premier works) American theatrical productions with the Joseph Papp Shakespare Theare in NYC, the Circle in the Square Theatre, La Mama Theatre, Primary Stages, and Ars Nova Theatre. My point being, it's not just her work that is being cited on this Wiki article, its the work of new American playwrights and productions. If the article needs to be rewritten to focus on that, I'll be glad to rewrite it.

Cwands (talk) 21:19, 15 June 2011 (UTC)[reply]

I am related to the subject, and I have made no effort to disguise that. I believe I am an impartial and competent Wiki contributor, having helped to contribue to two other pages. I must also point out per this subject's body of work is substantial and important to the developing of new scripts in the American theatre, not just her roles and her body of work, but the scope of work encompassed by the reviews and articles that have been written about her work in The New York Times, Playbill, Variety and other important venues. Per your request: Can you indicate the "long trail of reviews and even articles" on this subject before I am convinced?

  1. New York Times, Review of "Boom", starring Susan Wands, March 21, 2008 [3]
  2. Variety, Review of "Boom", starring Susan Wands, March 20, 2008 [4]
  3. Talking Broadway, Review of "Boom, starring Susan Wands, March 20, 2008 [5]
  4. Backstage, Review of "Boom, starring Susan Wands, March 20, 2008 [6]
  5. Theatrescene, Review of "Boom, starring Susan Wands, March 20, 2008 [7]
  6. Theatremania, Review of "Boom", starring Susan Wands, March 2008 [8]
  7. New York Times, Review of Henry IV, Joseph Papp Theatre NYC, featuring Susan Wands, 1991 [9]
  8. BroadwayWorld.com, Article Henry IV, featuring Susan Wands, 1991 [10]
  9. Theare World Yearbook, Google Article, Henry VI, Joseph Papp Theatre NYC, featuring Susan Wands, 1991 [11]
  10. New York Times, Review of "The Belle Strategem", featuring Susan Wands, October 2003 [12]
  11. New York Times, Review of "They Dance Real Slow in Jackson", starring Susan Wands [13]
  12. Talking Broadway, Review of Henry IV, starring Susan Wands [14]
  13. Riverfront Times, Reivew of Henry IV, starring Susan Wands [15]
  14. Theare World Yearbook, Google Article, Passionate Women, La Mama Theatre NYC, featuring Susan Wands [16]
  15. New York Times, Review, Talking Pictures, Signature Theatre, featuring Susan Wands, 1994 [17]
  16. Variety, Review, Talking Pictures, Signature Theatre, featuring Susan Wands, 1994 [18]
  17. The Record Review, Leaving Iowa, Adirondack Theater Festival, starring Susan Wands, 1994 [19]
  18. Old Globe Press Release, Knowing Cairo, Old Globe Theatre, San Diego, starring Susan Wands 2003 [20]

I strongly believe that this is a valid Wiki page subjectg and should be included in the Wikipedia.

Cwands (talk) 22:36, 15 June 2011 (UTC)[reply]


Relisted to generate a more thorough discussion so a clearer consensus may be reached.
Please add new comments below this notice. Thanks, Ron Ritzman (talk) 00:04, 19 June 2011 (UTC)[reply]

If you are now requiring a list all of the reviews for this subject, with all the details citing the subject, in order to justify this subject's Wiki article, then I will add then per your request - but I would like to ask that someone other than Doddy Wuid to make this determination as to the relisting/approval of this Wiki article, as I can only surmise that this reviewer has a bias towards this subject or body of work.

Per the detail for performance for Susan Wands in the Arena Stage production of "A Streetcar Named Desire" (which is not one of the original premier works that is the focus of this body of work):

http://www.cercles.com/n10/londre.pdf — Preceding unsigned comment added by Cwands (talkcontribs) 19:18, 19 June 2011 (UTC)[reply]

“Susan Wands gave a fascinating, strong interpretation of Blanche. Insanity is clearly closing in on this woman, but unlike the traditional fragile interpretation, Miss Wands’ Blanche is going down fighting” [Plyler]. Another critic found Susan Wands’s performance as Blanche Taut with the psychological complexity and ambiguity that Williams wrote into a part that is, some say (and this includes Williams), based on the playwright’s own unfathomable personality. She slowly, gently and affectingly dismantles the thin veneer of reality that props up Blanche’s world, always keeping one step ahead of our perceptions. It is a moving interpretation, far and away superior to the usual fluttery Blanche [...]. Wands conveys the redemptive idea that here is a woman once made of solid human stuff still clinging to her self- awareness. The slight quavers in her voice, the startled screams, an excessive gesture, the decorative laughs—by these things Wands gradually reveals a lapsing mind. She knows she is doomed, but she wants to be sane enough to observe her fall. In the end, she isn’t. That’s her tragedy. [Huntington, 15 Sept. 2002]

In general, the critics concurred that “audiences will find it easier to relate to Susan Wands’ less-fragile Blanche” [Huntington, 15 Sept. 2002]. — Preceding unsigned comment added by Cwands (talkcontribs) 17:57, 19 June 2011 (UTC)[reply]

More detailed references to be added soon.

Cwands (talk) 18:06, 19 June 2011 (UTC)[reply]

2. "Boom" Talking Broadway.com review:

For a rare example of a storyteller more interesting than the tale being told, you need look no further than Ars Nova. But let the record state that the most fascinating feature of the play that just opened there, titled Boom, is not its playwright, Peter Sinn Nachtrieb, but someone named Barbara. Bearing a bobbed shock of copper hair and wearing a slightly revealing, slightly frumpy black suit, Barbara (deliciously played by Susan Wands) looks like a cross between a schoolteacher and a just-past-her-prime 1960s flight attendant. She moves and speaks purposefully but haltingly; her habit of substituting gestures for certain words suggests someone for whom long-held intentions are being allowed escape for the first time. Yet her obvious discomfort is anything but uncomfortable. Positioned at an antiquated console equipped with an obtuse collection of levers, switches, and percussion instruments (including a tympani), Barbara radiates the self-involved joy of a woman completely in her element. You never doubt her certainty about anything, even when it seems that the people and buildings surrounding her are on considerably shakier ground. In a play tracking the tremors of change, a guide such as this is crucial to maintaining your own footing. But whenever Barbara starts throwing those levers and banging on her giant drum with the pompous intent of an epic film soundtrack, the work she's doing always seems more worthwhile than the work she's creating. It's only in Barbara, and in the sparkling, outmoded sophistication Wands brings to her, that the at-odds halves of the story meld into one. As the play evolves, and as the depths of Barbara's personal connection to her presentation grows less murky, it becomes less shallow and much more appealing. And once Nachtrieb stops relying on Armageddon clichés just past the 90-minute evening's midpoint, his play even begins to assume a surprising celestial beauty.

The most startling part of this is that Boom legitimately earns it, its gradual ebb and flow becoming by show's end a wave of cleverness that at least leaves you with the impression of a show of some significance. That too many involved haven't figure out how to bring that quality to the rest of the show is unfortunate; that Barbara and Wands almost succeed in picking up the slack is its own small, explosive blessing.

Talking Broadway Review of Boom

Cwands (talk) 19:30, 19 June 2011 (UTC)[reply]

— Preceding unsigned comment added by Cwands (talkcontribs) 19:26, 19 June 2011 (UTC)[reply] 


3. New York Times, Review of "They Dance Real Slow in Jackson",

The central figure in Jim Leonard Jr.'s play is Elizabeth Ann Willow, a young victim of cerebral palsy (Susan Wands in a wheelchair and braces). Why Elizabeth Ann stopped speaking in her mid-20's is the question the play asks and, in a manner of speaking, answers. The heroine makes it plain that she aspires to soar, but she gets no help from anyone, including the playwright.

New York Times Review of "They Dance Real Slow in Jackson"

Cwands (talk) 19:39, 19 June 2011 (UTC)[reply]

4. Variety Review: "Talking Pictures",

Like many of his plays, Foote's "Talking Pictures" is set in the fictional town of Harrison, Texas, during a time of transition. Harrison has a lot in common with Brian Friel's Ballybeg: It's a point of return, a touchstone, a field of the imagination on which an author has played out all his fancies. Nothing happens and everything happens, usually within the span of a few days. Foote is congenitally more upbeat than Friel, but isn't that the American virus? "Talking Pictures" is set in 1929, when silent movies are about to give over in a big way to talkies and the change is generating an almost sexual anticipation in small towns like Harrison....

Susan Wands is quite perfect as Willis' pouty gold-digger wife, Gladys.

[[ http://www.variety.com/review/VE1117909051?refcatid=31%7CVariety Review of "Talking Pictures"]]

Cwands (talk) 19:53, 19 June 2011 (UTC)[reply]

5. The Record Review : "Leaving Iowa",

At its heart, "Leaving Iowa" is a 90-minute intermissionless play that takes two hours and 15-minutes to complete (including a long intermission).

Susan Wands is also terrific as the June Cleaver mom who shows infinite patience, until she is pushed too far.

[[ http://www.troyrecord.com/articles/2009/07/23/entertainment/doc4a6777fe52c51057808214.txt%7CTroy Record review of "Leaving Iowa"]]

Cwands (talk) 19:53, 19 June 2011 (UTC)[reply]

Cwands (talk) 19:58, 19 June 2011 (UTC)[reply]

6. UT Daily Beacon, Review, Triumph of Love:

These “attempts” include multiple accounts of cross-dressing that lead ...... (Susan Wands) to fall in love with Leonide’s different incarnations. Susan Wands as Leontine, Agis’ sister, also enchants. We are convinced more of her love than any of the other characters’, but the way her character arc ends is fairly strange (we actually wonder if she is still in love with Leonide even after Leonide’s true identity is revealed). utdailybeacon.com/.../triumph-provides-enjoyable-complex-story/ -

Cwands (talk) 20:03, 19 June 2011 (UTC)[reply]


7. TNJN, Triumph of Love:

And Susan Wands stole the show with her brilliant portrayal of Leontine. The youthful transformation that she showed in Leontine was both exciting and inspiring, leaving the audience satisfied in its honesty. Cwands (talk) 20:10, 19 June 2011 (UTC)[reply]

8. Talking Broadway Review, Henry VI:

...and Susan Wands as the emperor’s one-time lover – and just perhaps the mother of his child – handles her end of the often absurd confrontations with great aplomb.

[[ http://www.talkinbroadway.com/regional/stl/stl26.html%7CTalkinbroadway review of "Henry IV"]]

Cwands (talk) 20:42, 19 June 2011 (UTC)[reply]

Cwands (talk) 20:49, 19 June 2011 (UTC)[reply]

Please keep this Wiki page for Susan Wands, it contains notable information.67.185.194.103 (talk) 02:41, 20 June 2011 (UTC)[reply]

Please keep this Wiki page for Susan Wands, it contains notable information.97.94.118.132 (talk) 23:16, 21 June 2011 (UTC)[reply]

Thank you for your help in resolving this issue. Please let me know if there are any changes I need to make to this article to make it more "Wikified" Cwands (talk) 20:55, 27 June 2011 (UTC)[reply]


Relisted to generate a more thorough discussion so a clearer consensus may be reached.
Please add new comments below this notice. Thanks, Spartaz Humbug! 20:24, 29 June 2011 (UTC)[reply]

Ah, thanks for the clarification. That said - well Ravenswing nails it pretty solidly below. Doddy Wuid (talk) 23:09, 30 June 2011 (UTC)[reply]
  • First of all, that's not an accurate assessment of what's out there; for example, there's a full-length profile here [21], for example. And there's a lot of material behind paywalls in the GNews search. Second, the argument fundamentally misunderstands notability. Wands is notable as an actor because there are dozens of sources discussing her work as an actor. The GNG certainly does not say what you would have it say; A single one-sentence mention of a tangential subject in a full-length book may be trivial, but that is not the standard to be applied to the assessment of a cast member's performance in a review of a play, where the matter is essential to the review as a whole and space is far more limited. Aside from the GNews hits, there are many more that show up in GBooks (quite a few magazine reviews that Google has decided to index as "Books" rather than "News"). And Wands is notable as an actor, and the sources directly address her work as an actor. Perhaps she'd get more spectacular coverage in the New York Post and in TMZ if she were prone to embarassing public behavior, romantic escapades, and the occasional round of overt substance abuse, but there's more to the acting world than Charlie Sheen and Lindsay Lohan. If Martin Scorsese casts her in Boardwalk Empire, if Joanne Akalaitis casts her in the New York Shakespeare Festival, if Newsweek reports that "the Imogen of neophyte actress Susan Wands full of an inner radiance that elevates the play beyond its merits"[22] and if a reference work held by many academic libraries devotes space to analyzing her performance as Stella in a performance of Streetcar [23] then she's clearly a legitimate encyclopedic subject, even if we don't know much about her sex life, her dietary opinions, her pets, her favorite sports teams, and all the other trivia that infests our biographies of semi-celebrities. WP:BLP says that when we write about noncelebrities, we should "include only material relevant to their notability", which in the case of an actor is his or her work, and it should be clear from reviewing the sources that this actor's work is well documented in reliable sources, and that demonstrates notability. Hullaballoo Wolfowitz (talk) 02:21, 1 July 2011 (UTC)[reply]
  • Shall we stick to the dearth of detailed material about her work rather than peripheral aspects of her life, that nobody else has expressed any interest in, despite your implication? Again, WP:NOTINHERITED. Being employed by someone notable and/or in something notable does not in itself make someone notable. If there is, however, significant, detailed and direct coverage of her contribution to Boardwalk Empire or the New York Shakespeare Festival, that, of course, is a different matter and I'm perfectly happy if that's the case (I'd freely admit you seem to be better at rooting out material with Google, so go for your life). Likewise with being covered(/briefly mentioned) in a notable publication: reliable but not necessarily notable. A detailed profile in 28 years is something and a mountain of brief direct mentions in despatches, some clearly positive, indicate she may well be a capable jobbing actress but in few, if any, of these examples can it be said to be "significant coverage". Doddy Wuid (talk) 07:11, 1 July 2011 (UTC)[reply]

I would have to object to the representation that the body of work reviewed cited in:

#New York Times, Review of "Boom", starring Susan Wands, March 21, 2008 [24]
  1. Variety, Review of "Boom", starring Susan Wands, March 20, 2008 [25]
  2. Talking Broadway, Review of "Boom, starring Susan Wands, March 20, 2008 [26]
  3. Backstage, Review of "Boom, starring Susan Wands, March 20, 2008 [27]
  4. Theatrescene, Review of "Boom, starring Susan Wands, March 20, 2008 [28]
  5. Theatremania, Review of "Boom", starring Susan Wands, March 2008 [29]
  6. New York Times, Review of Henry IV, Joseph Papp Theatre NYC, featuring Susan Wands, 1991 [30]
  7. BroadwayWorld.com, Article Henry IV, featuring Susan Wands, 1991 [31]
  8. Theare World Yearbook, Google Article, Henry VI, Joseph Papp Theatre NYC, featuring Susan Wands, 1991 [32]
  9. New York Times, Review of "The Belle Strategem", featuring Susan Wands, October 2003 [33]
  10. New York Times, Review of "They Dance Real Slow in Jackson", starring Susan Wands [34]
  11. Talking Broadway, Review of Henry IV, starring Susan Wands [35]
  12. Riverfront Times, Reivew of Henry IV, starring Susan Wands [36]
  13. Theare World Yearbook, Google Article, Passionate Women, La Mama Theatre NYC, featuring Susan Wands [37]
  14. New York Times, Review, Talking Pictures, Signature Theatre, featuring Susan Wands, 1994 [38]
  15. Variety, Review, Talking Pictures, Signature Theatre, featuring Susan Wands, 1994 [39]
  16. The Record Review, Leaving Iowa, Adirondack Theater Festival, starring Susan Wands, 1994 [40]
  17. Old Globe Press Release, Knowing Cairo, Old Globe Theatre, San Diego, starring Susan Wands 2003 [41]

does represent a notable contribution to American theatre, regional and Off-Broadway credits, and despite the attempt to negate the accomplishments of this performer, this article is of value. The reviewer Doddy Wuid seems to have a personal agenda against this performer - as his continued objections to this listing seem completely subjective. Although this actress is not a celebrity, her contributions to the curent American theatre, especially in new scripts and productions is notable. Just because Doddy Wuid can't see the value in that does not mean that her Wiki identity is not notable. Can I just ask that someone other than Doddy Wuid review this relisted article, as I don't believe his claims are creditable. Cwands (talk) 16:04, 1 July 2011 (UTC)[reply]

That really takes the biscuit! The one person in this debate who does have a clear and demonstrable COI, despite being very slow to make the fact known, accuses someone else of having a personal agenda! Read WP:AGF. There is nothing personal about this as I had been unaware of Susan Wands until I chanced upon the article (and this is not a dig at her profile or notability). This is purely about the article and its notability. There are others who are on the keep side of the debate who, though I may disagree with their conclusions, are applying valid points of policy to the debate, some of whom have pointed out the damage which you are doing to the case by your interventions. Doddy Wuid (talk) 17:05, 1 July 2011 (UTC)[reply]
  • I don't want to sound disrespectful to the page subject or the page creator. Doing work you love and you're proud of is a rare accomplishment. But to respond to User:Hullaballoo Wolfowitz: Significant? Doll Tearsheet in Henry IV is a significant role? Understudy to the female cast as the ONLY Broadway credit? Mrs. O'Neill (2 episodes) in Boardwalk Empire? This is a very low bar for the modifier "significant" when applied to the noun "role". Right now I'm not seeing significant as it regards encyclopedia pages. This page is about a fine working actor but the subject hasn't seen the media resonance yet to pass notability, IMHO. Virtually nothing salient. BusterD (talk) 20:56, 7 July 2011 (UTC)[reply]
  • "Significant" here as opposed to "trivial", which has been the standing interpretation. And roles which are discussed in NYTimes reviews of the production are generally significant, even by stricter standards. I'm completely baffled by why there's such pressure to set the bar high under WP:ENT for actors doing significant work, but low for T&A performers, Kardashian hangers-on, and others of no genuine achievement. It's ridiculous that it's harder to keep articles on "fine working actors" with multiple reviews in national media than to remove articles on porn performers with tinplate handed-out-by-the bushel awards.Hullaballoo Wolfowitz (talk) 21:26, 7 July 2011 (UTC)[reply]
  • As I commented below, the notability guidelines for actors really aren't equipped to deal with stage actors - on the one hand, the productions are notable and she has significant roles in them, but on the other hand, the number of stage actors for which this is true is exponentially larger than the number of film actors for which it is true - is every actor who's had a couple of leads or secondary roles in regional theatre notable? I've begun a discussion at the talkpage for WP:notability (people). Roscelese (talkcontribs) 17:53, 7 July 2011 (UTC)[reply]
  • Reply Another part of the problem is that many theater actors with better resumes and more significant accomplishments don't meet WP:ENT and WP:GNG either. BusterD (talk) 21:01, 7 July 2011 (UTC)[reply]
  • Comment I believe my above comment is slightly flip, however accurate. I didn't intend to sound sarcastic in such a serious matter. I wanted to acknowledge the point User:Roscelese makes above. Theater is a live experience which isn't processed simultaneously across the country like a film or recording; it is an immediate immersive experience which takes place in the here and now. As a result, all theater criticism is local. Some local theater criticism is good; the newspapers I threw as a child had truly awful theater criticism inside. No matter the variation, local sources don't generally make the best sources for this encyclopedia, except for major market work (New York, Chicago, LA, a small number of regionals). This definitely puts the working stage performer at a disadvantage when compared to the trivial hijinks which might gain the film or TV actor additional media coverage. Nonetheless, balancing such coverage is not why we're assembled here. We're here to decide whether this page meets standards of notability and verifiability. I stand by by my assessment above. BusterD (talk) 22:41, 7 July 2011 (UTC)[reply]
  • Response. So why are you dismissing the Newsweek review and the academic reference sources I pointed out? And doesn't the Newsweek review itself rather undermine your argument that "a;; theater criticism is local"? To say nothing of the fact that the NYTimes rather frequently reviews British theater (and even theatre). Hullaballoo Wolfowitz (talk) 05:14, 8 July 2011 (UTC)[reply]
  • Reply I'll concede the subject's name is mentioned once in both sources, but both sources together don't constitute two full sentences. I'll concede that national magazines occasionally publish local theater reviews, usually coming from the major markets I listed, plus West End. I've looked at the provided sources and I don't see any reason to change my position. BusterD (talk) 11:09, 8 July 2011 (UTC)[reply]